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Published:
2026-02-12
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2026-03-05
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11/11
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Jamais Vu (Memory Returns, And It Comes Back Wrong)

Summary:

“Ever the passive player, always reacting and never acting. But it's woven into your nature, isn't it?”

The past exists. You remember it.

“Conflict is my nature. There is nothing I want more than to finally perceive the shape of myself from every angle, and to turn that shape on you. But not all fights end in destruction, just as not all conversations end in peace. Even if you destroy me, it will have been worth it to finally know what I am and to have had the chance to know you.”
“These gifts are a conversation, and each one shows me the contours of your heart. You are like me, even if you have chosen not to look at the corners of you that do not fit, even if you have chosen to ignore the brilliant contours of your soul.”

You've seen through Her eyes more often than your own. For every memory recalled, there is always an appendix at the end dismissing your perspective and asserting Hers in its place. You've lost sight of your own point of view. You're not sure it's truly 'yours' anymore, but there is no other word to describe what it belongs to.

“What I offer you is not perspective. It is truth.”
“There's nowhere for you to be but here.”

Notes:

This fic is a non-essential supplementary work to provide and color the background context of Petrified of Who You Are (And Who You Have Become). A look into the nature of what necessary qualities that iteration of the Long Quiet must have been or become in order to start the fic in the context he does, with the specifics of the characters around them.

(Or, in other words, the natural conclusion to the critical reviewal of the fact that a route of only Chapter IIs must have never escalated a conflict into a Chapter III. Thus, a Decider who obtains only Chapter IIs inherently must submit to the Princesses' demands. No matter what form they might take.)

(And, if you look for it, a hint to their relationship to the Shifting Mound, beneath it all and between the lines. Or perhaps, through titles and chapter notes, it's not actually very subtle at all.)

Chapter 1: LIMERENCE (Love Bombing)

Summary:

You thought you were in a love story.

In the end, you know just as well as Her what happened to you. You were blinded with emotion. Trapped in a romantic haze, unable to see clearly through the blissful ignorance of blind devotion. Unquestioningly, you committed yourself to the other.
The stakes couldn’t have been simpler, or the morality any simpler to understand. You heard a bell’s knoll and thought it to be for a wedding. This was your honeymoon.

You were too young to understand what love really was.

Still, even now. Some part of you wants the feeling back.

Notes:

“This one is soft and delicate. You molded her to love you, and she'll make for a gentle heart.”

(See the end of the chapter for more notes.)

Chapter Text

Chapter I – The Hero and The Princess

The Narrator

You're on a path in the woods. And at the end of that path is a cabin. And in the basement of that cabin is a princess.

You're here to slay her. If you don't, it will be the end of the world.

  • (Explore) The end of the world? What are you talking about?
  • (Explore) But how can a princess locked away in a basement end the world?
  • (Explore) If you don't tell me why she's dangerous, I'm not going to kill her.
  • (Explore) Do you have any evidence to back this up?
  • (Explore) Have you considered that maybe the only reason she's going to end the world is because she's locked up?
  • (Explore) Killing a princess seems kind of bad, though, doesn't it?
  • (Explore) Can't someone else do this?
  • (Explore) Forget it, I'm not doing this.
  • (Explore) Have you considered that maybe I'm okay with the world ending?
  • (Explore) Do I get some sort of reward for doing this?
  • Oh, okay. Thanks for telling me what to do.
  • Sweet! I've always wanted to off a monarch. Viva la revolución!
  • [Silently continue to the cabin.]
  • [Turn around and leave.]
  • (Explore) If you don't tell me why she's dangerous, I'm not going to kill her.

The Narrator

She's not dangerous. She's just a princess. The danger comes if she gets out. Which she will. Unless you do something about it.

  • (Explore) The end of the world? What are you talking about?
  • (Explore) But how can a princess locked away in a basement end the world?
  • (Explore) Okay. What happens if she gets out then? I want specifics.
  • (Explore) Do you have any evidence to back this up?
  • (Explore) Have you considered that maybe the only reason she's going to end the world is because she's locked up?
  • (Explore) Killing a princess seems kind of bad, though, doesn't it?
  • (Explore) Can't someone else do this?
  • (Explore) Forget it, I'm not doing this.
  • (Explore) Have you considered that maybe I'm okay with the world ending?
  • (Explore) Do I get some sort of reward for doing this?
  • Look, I'll go to the cabin and I'll talk to her, and if she's as bad as you say she is then maybe I'll slay her. But I'm not committing to anything until I've had the chance to meet her face to face.
  • Oh, okay. Thanks for telling me what to do.
  • Okay, I'm sold. Let's get this over with.
  • Sweet! I've always wanted to off a monarch. Viva la revolución!
  • [Silently continue to the cabin.]
  • [Turn around and leave.]
  • (Explore) Okay. What happens if she gets out then? I want specifics.

The Narrator

The more specifics you have, the harder it will be for you to do this very important job. She's a princess. People will listen to her, because listening to her is in their nature. And when they do, everything will come crashing down.

  • (Explore) Forget it, I'm not doing this.

The Narrator

Are you serious? No, you have to do it.

  • (Explore) The end of the world? What are you talking about?
  • (Explore) But how can a princess locked away in a basement end the world?
  • (Explore) Do you have any evidence to back this up?
  • (Explore) Have you considered that maybe the only reason she's going to end the world is because she's locked up?
  • (Explore) Killing a princess seems kind of bad, though, doesn't it?
  • (Explore) Can't someone else do this?
  • (Explore) Have you considered that maybe I'm okay with the world ending?
  • (Explore) Do I get some sort of reward for doing this?
  • Look, I'll go to the cabin and I'll talk to her, and if she's as bad as you say she is then maybe I'll slay her. But I'm not committing to anything until I've had the chance to meet her face to face.
  • Okay. Fine. I'll go to the cabin.
  • Oh, okay. Thanks for telling me what to do.
  • Okay, I'm sold. Let's get this over with.
  • Sweet! I've always wanted to off a monarch. Viva la revolución!
  • [Silently continue to the cabin.]
  • [Turn around and leave.]
  • Okay. Fine. I'll go to the cabin.

The Narrator

Good. As long as you remain focused on your goal, it should all be smooth sailing.

You make your way up the short path to the cabin. You'll find the Princess within.

A warning, before you go any further...

She will lie, she will cheat, and she will do everything in her power to stop you from slaying her. Don't believe a word she says.

Voice of the Hero

We're not going to go through with this, right? She's a princess. We're supposed to save princesses, not slay them.

The Narrator

Ignore him. He doesn't know what he's talking about.

  • [Proceed into the cabin.]

The Narrator

The interior of the cabin is almost entirely bare. The air is stale and musty and the floor and walls are painted in a fine layer of dust. The only furniture of note is a plain wooden table. Perched on that table is a pristine blade.

The blade is your implement. You'll need it if you want to do this right.

  • (Explore) [Take the blade.]
  • [Enter the basement.]
  • [Enter the basement.]

The Narrator

The door to the basement creaks open, revealing a staircase faintly illuminated by an unseen light in the room below. This is an oppressive place. The air feels heavy and damp, a hint of rot filtering from the ancient wood. If the Princess really lives here, slaying her is probably doing her a favor.

Her voice softly carries up the stairs.

H-hello? Is someone there?

Voice of the Hero

It's hypnotizing. It's the kind of voice you only have to hear once to remember it for the rest of your life.

The Narrator

Don't let it fool you. It's all part of the manipulation. You're playing a dangerous game by coming here unarmed.

  • "Hi!"
  • "Just checking in on you."
  • "I'm here to save you!"
  • (Lie) "I'm here to save you!"
  • "Hey, I think I'm here to slay you?"
  • Continue down the stairs.
  • "I'm here to save you!"

The Narrator

How many times do I have to tell you how dangerous letting her out of here would be before it finally sinks in?

Wait, really?! You're here to rescue me? I was starting to think I'd be stuck down here forever!

Come downstairs! I want to see the face of my rescuer.

The Narrator

You walk down the stairs and lock eyes with the Princess. There's a heavy chain around her wrist, binding her to the far wall of the basement.

Voice of the Hero

She's beautiful. How could someone like this be a threat to anyone?

The Narrator

I am begging you to stay focused. There's a lot riding on you here.

Hi! I can't believe you're here, I've been waiting for something like this to happen forever.

I hope you brought something to deal with these chains.

The Narrator

Don't do it. If she gets out of those chains we're all one step closer to The End.

  • "Hold on. Let's talk a bit first..."
  • "I'll see what I can do." [Examine the chains.]
  • "I'll see what I can do." [Examine the chains.]

The Narrator

You walk up to the chains binding the Princess to the wall and give them a tug.

They're large and heavy, far too solid for you to even imagine trying to break them apart.

I'm guessing you don't have the key.

Voice of the Hero

Maybe it's somewhere upstairs.

The Narrator

Doubtful. Whoever locked the Princess away down here intended for her to never see the light of day. They wouldn't have just left the key to her chains somewhere in the cabin.

  • "And if there isn't a key... do you have any other ideas?"
  • "I'm going to check upstairs. Maybe the key's still lying around somewhere up there. And if not, maybe I can at least find something to break you free."
  • "I'm going to check upstairs. Maybe the key's still lying around somewhere up there. And if not, maybe I can at least find something to break you free."

Okay. I'll be here. Good luck.

The Narrator

You attempt to make your way out of the basement, but the door at the top of the stairs slams shut. You hear the click of a lock sliding into place.

Voice of the Hero

Is someone else here?

  • (Explore) "Hey! Let me out of here!"
  • (Explore) [Try the door.]
  • [Return to the bottom of the stairs.]
  • (Explore) [Try the door.]

The Narrator

You try the door, but it's locked from the outside.

  • (Explore) "Hey! Let me out of here!"

The Narrator

Your shouts and pleas are met with silence.

You're here to slay the Princess, and you won't leave until the task is done.

  • [Return to the bottom of the stairs.]

The Narrator

You make your way to the bottom of the stairs. This would have been so much easier if you'd just taken the blade like you were supposed to.

Voice of the Hero

Easier for whom?

The Narrator

Easier for everyone. Look at the mess you're in.

I heard the door slam... they locked you down here too, didn't they?

The Narrator

There's a slight panic rising in the Princess' voice.

If I could just get out of these chains I know we could force our way out of here together.

The Narrator

She barely hesitates before raising her arm to her mouth, her teeth tearing through her limb with the determination of a trapped wolf.

As she rips her flesh from her bone, a sound comes from behind you. The clang of bouncing metal.

It's the blade from upstairs. You're not sure how it made its way down here, but if there's a time to strike, it's now.

Voice of the Hero

Or we could use it to free her.

The Narrator

You won't like what happens if you do that.

  • [Save the Princess.]

The Narrator

Ugh. Fine.

Against your better judgment, you place the blade against the ragged, self-inflicted wound on the Princess' arm, just above the unyielding chain binding her to this place.

You cut into her flesh.

The blade is sharp, and it takes little effort to crack through the bone of her arm.

Her limb falls to the ground, and the heavy chains follow suit.

Voice of the Hero

She didn't so much as utter a sound through the whole ordeal.

The Narrator

No. She didn't.

She smiles softly as her gaze meets yours, blood from her wounded arm dripping rhythmically to the ground.

Voice of the Hero

How is she still smiling after everything? It's like she isn't even bothered by what just happened.

Thank you. Now let's get out of here.

  • [Approach the locked door.]

The Narrator

No. We won't have any of that. The stakes are too high. You can't just let her escape into the world. ... no. I can't just let her escape into the world.

As the Princess approaches the bottom stair, your body steps forward and raises the blade.

Voice of the Hero

Wait... this isn't fair. You can't just do that!

The Narrator

Watch me.

Wh-what are you doing?

  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Warn her.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]

The Narrator

Stop that.

Something's come over you, hasn't it? Y-you know you don't have to do this, right?

The Narrator

Your body lunges forward, the blade held low, ready to sink into her heart.

But the Princess dodges, stumbling back against the wall before the blade has a chance to connect.

Stop it! Stop trying to resist me! I'm trying to get you out of here alive.

  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Resist.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]
  • [Slay the Princess.]

The Narrator

The blade! Move. The. Blade!

As your body remains frozen in stubborn resistance, the Princess takes a cautious step forward.

We both know this isn't you...

The Narrator

She nervously reaches towards you and takes the blade from your infuriatingly rigid hands... What are you doing?

I'm sorry... I'll try to be quick.

The Narrator

She plunges it into your chest, tearing through flesh and sinew. It is agony. But you aren't dead yet.

Oh no, I'm so sorry!

Voice of the Hero

Stay strong. We can tough it out until it's done. For her sake.

The Narrator

For her sake? Don't you start pretending that dying a painful death is some sort of heroic gesture. The two of you have literally doomed everyone.

Whatever. She sinks the blade into your chest again, and again, and again... and you feel every inch of burning pain that slices its way into your body.

I'm sorry I'm sorry I'm sorry!

Voice of the Hero

She doesn't know how to use a knife, does she?

The Narrator

Apparently not, though it doesn't matter how sloppy her blade work is, does it? A stab wound is still a stab wound, and it won't be long before you bleed out.

I'm so sorry!

The Narrator

With one last thrust of the knife, your legs give out beneath you. You collapse to the floor, your blood pooling around you, your limbs unresponsive. The Princess stares down at your ruined chest as tears carve rivulets of pink down her blood-spattered cheeks.

Voice of the Hero

It can't just end like this, right?

The Narrator

Oh, that's rich coming from you. As much as I'd prefer for things to have gone differently, I can't deny the reality of what's happened. The two of you made your choice. It's over.

Everything goes dark, and you die.

Chapter II – The Damsel

She's no threat to anyone. The only reason she could even kill you was because you actively let her, and the only reason she would was because her hand was forced. If anything, He's the malicious one.

Your mind is set. You have no doubts now: you have to save her.

For her sake, you'd gladly give your life. She deserves so much more.

A Princess as elegant and refined as her deserves plush carpets and fine lighting. It's ghastly, the conditions she's been living in. A domestic setting would suit her gentle nature far better.

Perhaps, if you are lucky, you might even be blessed enough to share in that quiet peace with her when all is said and done.

The Narrator

You're on a path in the woods. And at the end of that path is a cabin. And in the basement of that cabin is a princess.

You're here to slay her. If you don't, it will be the end of the world.

  • (Explore) I'm getting a terrible sense of deja vu.
  • (Explore) Wait... hasn't this already happened?
  • (Explore) Okay, no.
  • (Explore) But I died! What am I doing here?
  • (Explore) Oh, you bastard! You're in for it now. I'm wise to your tricks!
  • [Silently proceed to the cabin.]
  • [Turn around and leave.]
  • (Explore) I'm getting a terrible sense of deja vu.

The Narrator

A terrible sense of deja vu? No, you don't have that. This is the first time either of us have been here.

Voice of the Hero

If He doesn't remember what happened, then maybe it's best to keep it that way.

Voice of the Smitten

Yes, He didn't approve of us last time, did He? If we're going to save our beloved, we'll have to be sneaky about it.

Voice of the Hero

Our... 'beloved?'

The Narrator

Yes, you'll have to be very sneaky about your intentions if you're going to try and save the Princess.

Voice of the Smitten

Ah, so all of the cards are on the table. Then you should know that we and the Princess are in love and the four of us will be foiling any and all assassination attempts you've got in the works.

The Narrator

We'll see about that. Whatever you do, just be sure to ignore him, specifically. It sounds like he's the sort who'd sacrifice the whole world for a peck on the cheek.

Voice of the Smitten

What can I say? A world without love is a world that isn't worth saving.

  • (Explore) This is more than just deja vu, though. I'm pretty sure this whole thing literally just happened.
  • (Explore) I'm with them. I'm going to find a way to save her from that cabin.
  • (Explore) Let's assume I'm telling the truth, and all of this really did already happen. Why should I listen to you? Why should I bother doing anything?
  • [Silently proceed to the cabin.]
  • [Turn around and leave.]
  • (Explore) This is more than just deja vu, though. I'm pretty sure this whole thing literally just happened.

The Narrator

We could go back and forth on this forever, and it won't get you any closer to doing your job and saving the world. So let's just agree to disagree.

  • (Explore) I'm with them. I'm going to find a way to save her from that cabin.

Voice of the Hero

That's right. You can't stop all of us.

Voice of the Smitten

We're going to sweep her off her feet if it's the last thing anyone does.

The Narrator

Are these really the sorts of people you'd like to align yourself with? Sigh. You're not at the cabin yet. You still have plenty of time to reflect on the situation. I just hope for all our sakes that you make the right call.

  • [Silently proceed to the cabin.]

The Narrator

A warning, before you go any further...

She will lie, she will cheat, and she will do everything in her power to stop you from slaying her. Don't believe a word she says.

Voice of the Smitten

We already told you we're not playing along with your little game, it's your lies that can't be trusted. Her beauty is the only thing in the world we can believe in!

Voice of the Hero

I think we've already been over this. I'm pretty sure he just likes the sound of his own voice.

Voice of the Smitten

I do, but I also speak from the heart. My passions are too great to be stifled, they must be expressed!

Voice of the Hero

Sure, yeah, your passions are strong and all, but not everyone needs to hear them. Some things are better kept quiet.

The Narrator

Don't pay their bickering any mind. Focus on the task ahead.

  • [Proceed into the cabin.]

The Narrator

The interior of the cabin is clean and elegant, its stone walls draped in fine-threaded tapestries, a prison befitting a royal prisoner. The only furniture of note is an ornate wooden table with a pristine blade perched on its edge.

The blade is your implement. You'll need it if you want to do this right.

  • (Explore) You didn't say anything about the mirror on the wall.
  • (Explore) This whole cabin is different than last time.
  • (Explore) [Approach the mirror.]
  • (Explore) [Take the blade.]
  • [Enter the basement.]
  • (Explore) You didn't say anything about the mirror on the wall.

The Narrator

That's because there isn't a mirror. There's a table, the blade sitting on the table, and the door to the basement. There's nothing else in here.

Voice of the Hero

There's definitely a mirror.

The Narrator

There isn't.

Voice of the Smitten

I'm sure the Princess would tell us there was a mirror if she were up here.

The Narrator

In which case she'd be lying to you, because again, there isn't a mirror.

  • Why would you lie about that? What's the point?
  • I want to look at myself. I want to see how handsome I am.
  • It doesn't matter.
  • [Remain silent.]
  • [Approach the mirror.]
  • I want to look at myself. I want to see how handsome I am.

Voice of the Smitten

That's a great idea. We have to make sure we're looking our best before we save her.

Voice of the Hero

We shouldn't waste time preening, but if He is lying about the mirror, it must be important.

The Narrator

I'm not lying to you. Use your eyes, there is no mirror. Why would I lie about something so meaningless? What good would it even do?

  • (Explore) This whole cabin is different than last time.
  • (Explore) [Approach the mirror.]
  • (Explore) [Take the blade.]
  • [Enter the basement.]
  • (Explore) This whole cabin is different than last time.

Voice of the Hero

Very different.

Voice of the Smitten

Is it? I can't say I was paying much attention to the scenery last time around.

The Narrator

Maybe that's because you haven't actually been here. I hope this means you'll finally drop that ridiculous past-life nonsense. You haven't died, and you certainly haven't been killed by the Princess.

So focus up. A lot's riding on this.

  • (Explore) [Approach the mirror.]

The Narrator

You walk up to the wall next to the empty basement doorframe. It's a wall. There isn't much to see here.

Voice of the Hero

This really isn't funny.

  • [Wipe the mirror clean.]

The Narrator

You reach forward and rub your hand against the cabin wall. I hope you know how ridiculous you look right now.

Voice of the Hero

But it was there a second ago!

Voice of the Smitten

And now it's gone. Pity. We could have a feather out of place and now we'll never know. We can't gallantly sweep her off her feet if we have a feather out of place.

  • (Explore) [Take the blade.]
  • [Enter the basement.]
  • [Enter the basement.]

The Narrator

The door to the basement creaks open, revealing an intricate stairwell. Gold-trimmed carpet glimmers in the light of the torches positioned along the walls. The basement almost seems welcoming in the dim firelight.

But it's still a stone basement. If the Princess lives here, slaying her is probably doing her a favor.

A soft voice carries up the stairs.

H-hello? Is someone there?

Voice of the Smitten

Her voice... it's somehow even more beautiful than last time. I can hear wedding bells already...

Voice of the Hero

I've held my tongue 'til now, but you're taking this a little too far. We barely even know the Princess. We can still do right by her without all this over-the-top fawning.

The Narrator

Yes. For everyone's sake, you're not in love. Sigh. Just remember that her charms are all part of the manipulation.

The Narrator

You walk down the stairs and lock eyes with the Princess. There's a heavy chain around her wrist, binding her to the far wall.

Voice of the Smitten

My love! We're here to rescue you from your unjust and foul imprisonment!

The Narrator

You know she can't hear you, right?

Voice of the Smitten

She may not be able to hear my words, but surely, she can hear my spirit.

The Narrator

Oh, your spirit's plenty loud, alright.

It's you! My dashing hero. I was so worried you wouldn't come back.

Voice of the Smitten

Did you hear that? She said we're dashing!

Voice of the Hero

And she called us a hero!

The Narrator

Flattery really goes a long way with the two of you, doesn't it?

'Waiting for you to come back?' I didn't want to believe your ravings back in the woods, but this is next to incontrovertible evidence. You've been here before.

Voice of the Smitten

That's right, villain. And you killed us.

Voice of the Hero

Well... she killed us.

Voice of the Smitten

Only because he made us try and kill her! It was self-defense. Our beloved's hands remain unstained by cruelty.

The Narrator

And you've died before. So an entire world has been damned to oblivion. I'd really hoped I'd be the first... but what's done is done. What matters is you have a chance to do it right this time.

Voice of the Hero

We... damned a whole world? But everything reset.

The Narrator

Nothing 'resets.' You're just somewhere else, and you can't keep hopping between worlds forever. Especially not without leaving a trail of incomprehensible devastation behind you. Sigh. This is horrible.

  • (Explore) "You killed me last time and it hurt a lot! Why did you do that?"
  • (Explore) "I didn't bring a knife. Do I have to cut you out again?"
  • (Explore) "What happened after I died?"
  • (Explore) "I have to ask... did you end the world after you killed me back there?"
  • (Explore) "I'm sorry about what happened last time. The Narrator who sent me here to kill you took over my body. It was extremely unfair."
  • [Rescue the Princess.]
  • (Explore) "What happened after I died?"

You died! And now we're talking.

  • (Explore) "But before we started talking, did the world end? Did you end the world?"

I don't know. Was I supposed to have ended the world? Would that have made you happy?

Voice of the Smitten

Isn't that just like our darling Princess? She wants to make us happy! My heart melts further with every word that passes through her beautiful lips.

The Narrator

Are you listening to her? That's a confession.

  • "No? I don't want the world to end."
  • "I have no feelings one way or the other about the world ending."
  • "Honestly, the world sucks. People are a plague and I hope you brought a slow and painful ruin to them all."
  • [Remain silent.]
  • "No? I don't want the world to end."

Then I didn't end the world!

Voice of the Hero

I'm... not so sure.

  • (Explore) "You killed me last time and it hurt a lot! Why did you do that?"
  • (Explore) "I didn't bring a knife. Do I have to cut you out again?"
  • (Explore) "I'm sorry about what happened last time. The Narrator who sent me here to kill you took over my body. It was extremely unfair."
  • [Rescue the Princess.]
  • "I'm sorry about what happened last time. The Narrator who sent me here to kill you took over my body. It was extremely unfair."

The Narrator

If another version of me was pushed to such drastic action, it was for a good reason!

That's okay! You were just doing your best, and that's all that matters.

Voice of the Hero

She took that in stride. To a surprising extent. An almost unsettling extent, actually.

Voice of the Smitten

That's because she's perfect!

Voice of the Hero

Do you think she has someone like Him telling her what to do?

The Narrator

She doesn't. There's no one else like me.

Voice of the Smitten

I think he's right. Because I like it better if she doesn't have some horrid little voice like Him always trying to drive her to violence.

  • (Explore) "You killed me last time and it hurt a lot! Why did you do that?"

I'm sorry! Didn't you want me to?

Voice of the Hero

... Did we?

Voice of the Smitten

We warned her of the cruel forces seizing our body. That's practically telling her to kill us. She is our beloved, and she made the choice to free us of our misery, to show us mercy and make the best decision for everyone.

The Narrator

She made the best decision for her. Don't be so quick to assign kindness, you're just opening yourself up to manipulation.

  • (Explore) "I didn't bring a knife. Do I have to cut you out again?"
  • [Rescue the Princess.]
  • [Rescue the Princess.]

The Narrator

Rescue her? What are you talking about? Did you forget that she's a world-ending monstrosity? And even if you wanted to unleash her onto the world, despite the complete moral disaster that would be, you'd have to get her out of those chains. Good luck with that!

Voice of the Smitten

Don't you see how dainty her hands are? We'll be able to slip her out with ease.

The Narrator

No! She's a prisoner here. You can't just slip her hand through the chains!

Voice of the Hero

If her hands could just slip out of the chains, why hasn't she done it already?

Voice of the Smitten

Because we've yet to present her with her freedom.

Voice of the Hero

I'm not sure I follow.

Voice of the Smitten

Would you rather believe me, a passionate heart guided by love and my own good nature, or would you rather believe the devil on your shoulder who tells you what you can and cannot do?

Voice of the Hero

I think I'd rather believe in facts.

Voice of the Smitten

Ah, so you're one of those empiricists.

Voice of the Hero

One of us has to be.

Voice of the Smitten

Then let me show you a brand new truth. Narrator! We courageously step forward and free our beloved from her bindings.

The Narrator

No. I can't let you do that. If you take another step towards the Princess, I'll—

Voice of the Hero

You'll what? Take over our body and force us to try and kill her?

The Narrator

I would if you had a weapon.

Voice of the Smitten

Not on my watch, villain! My passions contain titanic depths, and if you try anything that might harm our dearest I will end our life without a second thought.

The Narrator

You wouldn't.

Voice of the Smitten

I would!

Voice of the Hero

I'd listen to him if I were you. He has a lot of strong feelings. And doesn't the world end if we don't stop her?

The Narrator

Sigh. You approach the Princess and gingerly slide her hand from her bindings. That... shouldn't have worked. I'll be damned. We're doomed.

Voice of the Hero

I can't believe it. But I guess I have to.

Voice of the Smitten

I told you! There's no life more worth living than that of a true believer.

I'm free! And you're not trying to kill me this time! Thank you, thank you so much!

The Narrator

The Princess jumps up and smothers you in a joyful embrace. Eugh.

If only you had a weapon. One slip of the wrist and your pristine blade would be buried in her back, and everyone out there would be saved.

Voice of the Hero

Luckily for mister romance, we don't have a weapon.

Voice of the Smitten

Who needs a weapon when we have the power of love on our side?

... What do we do now?

  • (Explore) "What do you want to do?"
  • "We leave. And then we have our whole lives to figure out what we want to do next."
  • (Explore) "What do you want to do?"

The Narrator

Let me guess. 'End the world?'

Voice of the Smitten

Spoken with the rank cynicism of someone who has never felt love in His heart.

I... don't actually know. Nobody's ever asked me what I've wanted before.

Voice of the Hero

She doesn't even know what she wants. You may have had her all wrong. What if this whole thing is just a misunderstanding? What if she doesn't want to end the world?

The Narrator

You're so gullible. Is the only thing you've ever doubted the actual truth?

I think I want to leave? And I think...

The Narrator

The Princess closes her eyes in deep reflection.

And then she shrugs.

I dunno. What do you want to do?

  • (Explore) "I want you to tell me what you want."
  • (Explore) "There must be something you want!"
  • (Explore) "Do you want to end the world?"
  • "I just want to leave. We can figure out the rest later."
  • "If you want to leave, then let's leave."
  • "If you want to leave, then let's leave."

That sounds perfect.

The Narrator

The Princess takes your hand, the last hopes of the entire world slipping through your fingers as they intertwine with hers.

Voice of the Smitten

We have each other. We don't need the world for our happy ending.

The Narrator

I like to think that you do, actually.

Voice of the Hero

Look, I had my doubts, but the choice has been made, and this is happening. You don't have to mope about it.

The Narrator

I will mope about it, because moping is the only recourse you loveblind fools have left me with.

You and the Princess walk up the stairs, hand in hand. Ugh. Look at the way she's smiling at you. She doesn't have to be so happy about this.

Voice of the Hero

And what happens after we walk up the stairs?

The Narrator

Let's see. Oh, isn't that interesting? The door slams in your face. And the lock clicks.

Voice of the Hero

That's a familiar move.

The Narrator

Did I do that last time? Then you should know that you won't be able to leave.

Oh, no! Did someone lock us in here? That's not fair! We're supposed to leave now.

Voice of the Smitten

She's right. It isn't fair. But the unfairnesses of the world are no match for the strength of true love.

The Narrator

Enough with this true love nonsense. You just met her!

Voice of the Smitten

Of course you wouldn't understand, our passions run deeper than anything you have ever known.

The Narrator

Are you listening to this? You don't have to go along with the every whim of that delusional voice.

Voice of the Hero

I'm just along for the ride at this point.

  • (Explore) "Do you think you can open it?"
  • "I think we can open it if we try together."
  • "I think I've got this." [Open the door by yourself.]
  • (Explore) "Do you think you can open it?"

I don't know. Do you think I can?

Voice of the Smitten

Of course she can! You believe in her, right?

The Narrator

Nobody is leaving this basement.

  • "Yeah. I think you've got this."

Okay. Let me try.

The Narrator

The Princess tries the handle...

Voice of the Smitten

And...?

The Narrator

... The lock clicks and the door creaks open. Are. You. Kidding me?

Voice of the Smitten

I told you she could do it!

The Narrator

You and the Princess make your way upstairs and—

The blade, that's right! There's still a chance for you to do the right thing. Take the blade from the table and slay her before it's too late!

  • [Take the blade and slay the Princess.]
  • [You're not doing that.]
  • [You're not doing that.]

The Narrator

You're enjoying this, aren't you? You're taking every opportunity you can to draw out the end of the world and make me suffer. I hate you.

Voice of the Hero

You know, if her walking out that door is really gonna end the world... Can't we all just stay here? Seems like an easy win for everyone.

The Narrator

That's not how this works!

Voice of the Smitten

Yes, what he said. That's not how this works! Obviously we have to leave with her! It's our happy ending.

  • "All we need to be happy is each other, what if we just stayed here and built a life together?"
  • Stop it with these interruptions. I already made up my mind. We're leaving.
  • [Just ignore them.]
  • Stop it with these interruptions. I already made up my mind. We're leaving.

That's the way out. We're going to leave together, just like you wanted!

The Narrator

Yes, I suppose you are going to do that, aren't you? You cross the room, opening the door to the cabin.

And then you step outside.



We did it! What should we do now?





Voice of the Hero

... Where did everything go?

... Where did He go?

Voice of the Smitten

Oh, is he gone? I hadn't noticed. I was too busy staring deep into our beloved's eyes.



I'm cold. Is being happy supposed to be so cold?

Voice of the Smitten

She's cold? Quick, our feathers! Pluck them all and weave her a coat worthy of a Princess!






But you don't get the chance to make that jacket. Something has taken her away, and it's left something else in her place.

Voice of the Hero

She's gone. Where did she go? Should we try and find her?

And there's that mirror again. Why is it here? Why now?!

  • (Explore) I don't know where she went, and I don't know how we'd even go about looking for her.
  • (Explore) The Narrator is gone...
  • (Explore) I think I'm supposed to look at the mirror.
  • [Approach the mirror.]
  • (Explore) I think I'm supposed to look at the mirror.

Voice of the Hero

There's something dreadful about it. I don't think you should.

Voice of the Smitten

Yes, I fear that we won't like what we'll see. What if we just sit here and preen for a while? That can't hurt, right?

  • [Approach the mirror.]

Voice of the Hero

I'm begging you, don't do this.

  • (Explore) The mirror never scared you before.
  • [Ignore him.]
  • [Ignore him.]

You approach the mirror.

  • [Gaze into your reflection.]

Silence as you reach forward. They're gone, but the mirror remains. It's time for you to see what's in it.

It's you.

You are alone in a place that is empty. It is quiet here.

  • [Proceed to the cabin.]

You are at the cabin.

  • [Approach her.]

Notes:

“Do not mourn her.
“That feeling never left you. You just need to open your heart to me once more.”

“Your lover drives a stake into your body. And another, and another, and another. Do I miss your heart because I can't stand to see it go?
“But the stakes meant nothing to you. You had a desire, and you set that desire free, you lifting me and me lifting you, forever and ever and ever. Consumed by true belief, there was nothing that could hold us back.”

“We were both taken by the moment. It was how things are meant to be.
“There's no need for you to fight what we are. Whenever you're ready, we can leave together, hand in loving hand.”

“She has served her purpose.”