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As advancing dementia takes the last of the man David Cartwright used to be, more consequences of his machinations decades ago show up to make trouble in the present. Major cyberattacks in the here and now conspire with loose ends from an op in Berlin before the Wall fell that saw Jackson Lamb and Diana Taverner’s younger selves cross paths.
The Park’s leaking like a sieve, so Taverner is obliged to take refuge at Slough House and rely on Lamb and his Slow Horses for her survival. Standish might be back in her old job and trying to look after them all, but what the others don’t know is that the twisted codependency has escalated and Lamb’s distracted by the shifts in their relationship right when he needs to be at the top of his game.
They’ll get through it — probably — but not unscathed and it’s anyone’s guess whether Dander or Coe will end up killing someone along the way.
Artwork by the brilliant tenderlywicked.
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An exploration of Catherine’s interiority, filling in some gaps between what we know from the books and show, leading to a post-Season 4 finale scene with Jackson where they eventually figure some things out.
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Catherine Standish returns to her old job determined not to let Jackson Lamb get away with being so much of a bully. Challenging him leads their twisted codependency to places she never expected.
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Jackson Lamb gets covid and his neglected flat is a poor choice of place to be ill. Fortunately, his team never met a problem they wouldn’t run straight towards and his long-suffering PA Catherine Standish is organised enough to lead a more effective charge than he’s prepared for.
What will happen when they’re stuck in a small space together for 10 days or so?
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Wet spoons in the sugar by GoldStandardFcukUp (small_creature)
Fandoms: Slow Horses (TV)
09 May 2025
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Preparing Slough House for the impending pandemic lockdown obliges Catherine Standish to examine the complicated relationship she has with her boss Jackson Lamb.
More than two decades in the making, the twisted co-dependency tying them together serves a purpose and she knows neither of them will do well without the office life — or the other person — they’re used to relying on.
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Catherine's personal life spirals into a complete mess, and this time, she's not sure she can face the consequences of her actions. In a moment like this, there's only one person she can trust: Jackson.
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S9-10 rewrite with one major difference: Ruth says yes.
Bookmarked by small_creature
11 Aug 2025
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Brienne of Tarth — reclusive author and screenwriter — never wanted fame. She wanted control. Peace. A quiet life where her words did the talking.
Enter Jaime Lannister: fallen golden boy, tabloid fixture, and surprise lead in the high-profile adaptation of her novels. He's everything she dreads — charming, complicated, and entirely too real.
When a killer begins copying scenes from Brienne’s earliest, unpublished work, what begins as reluctant collaboration becomes a fight for truth, survival, and something like love.
This is a story about media myths, obsessive fans, spin doctors with god complexes, and two people who bleed off the page.
Modern noir. Emotional wreckage. One very bad man. Two deeply tired soulmates.
And Arya Stark is handling PR.
Bookmarked by small_creature
04 Aug 2025
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Once, they built something between wars. Now, they’re trying to remember why it was worth staying for.
Bookmarked by small_creature
04 Aug 2025
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This is my take on several moments that occur between Catherine Standish and Jackson Lamb throughout the decades of working together. I split this up into the Early Years, the Middle Years and Current Years. Each "era" has a vignette for each season - and builds on the past, creating a path for romance along the way. The first era is the three times they almost kissed but didn't and the one time they did. Thank you for reading!! ♥
Bookmarked by GoldStandardFcukUp (small_creature)
26 Jul 2025