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It’s a full moon, presenting him with all of the lighting he needs for a successful hunt. It’s late enough that there shouldn’t be any uninvited company or unwanted surprises. He’s scoped the place out for long enough (bordering a week) that he knows there’s light activity inside, but never out. His reports inform him that there’s only one dormant occupant of the house and he’s fought the urge to paint a visual or form any expectations.
If there’s one thing about vampires that he’s learned from experience, aside from how to kill them, it’s definitely that they’re unpredictable beings.
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