Actions

Work Header

icarus

Summary:

King learns about trusting the sun.

Notes:

they/them pronouns for all of the sticks in here. might be hard to read. let me know if it's unclear.

king expresses anger at purple in here, but it's not "about" purple if that means something to you.

specific summary at the end if anything worries you, as well as commentary.

(See the end of the work for more notes.)

Work Text:

King frets.

King paces. They know Purple now (actually, this time. As a stick and not a tool). Purple told them about Blue, the one that king didn't imprison and nearly kill. About what they did to Purple and what it did to them. Purple says that it made them...

Purple calls it monstrous. Fucked up. King refuses that idea, denying the words. They haven't forgotten that no parent should cause their child to think like that.

King knows that Purple isn't theirs. That Purple is fully capable of having a life separate from theirs and that King doesn't have to manage them. But King knows what it looks like when someone is doing something they know they shouldn't. They knew it very well with Gold, and Purple's mannerisms are just so Gold that it hurts.

Purple isn't Gold. They know. Purple isn't theirs. But Purple draws on their emotions around them and King can see that Purple wants it to be like that. King wants it to be like that. King wants Purple to trust them and they want to trust Purple in return.

It's hard. Purple comes back injured or tells them they got in another fight. It's always casual. It's never a secret, never something that Purple tries to hide. Purple can do what they need to. Sticks are built for it. King's well aware that Purple can take it. They shouldn't have to.

It's hard when Purple stays out later than King's used to. They visit their friends, through the portal in the basement. The sound hurts. King stays out of the basement. They have nothing to occupy them. Nothing that lets them chew through all their thoughts or ignore them long enough that King can forget them.

King doesn't do anything. They sit at home or go out, with Purple when they can. And then they sleep. They wake up. King knows they need to do something else with their time. They certainly have better things to do than wait all day.

But right now they don't have something. They wait at home for Purple and then fuss over them, and it's so much worse when Purple comes home late with bruises.

They don't need to do this anymore. King wants them to feel safe and whole. It's not fair that Purple went through their whole life like this and still hasn't come out on the other side. It makes King angry.

Purple should be sound and comfortable and they aren't. It makes King want to tear apart the world again. Nothing in King's life has pulled its punches. They want to do everything they can to stop that in Purple's. They want it to be better. The want to be better.

This rage burns. It makes King's body ache and complain when they wake up. When they wait at home. When they go to sleep. It grates at them. It rubs raw and blisters.

It explodes when Purple comes back late again, a little scraped up. King's tired and afraid and they tell them that they don't need to prove anything anymore. That King cares for them and they want it to be better. King means that.

King yells that Purple shouldn't be doing dumb things or coming back late. It terrifies King every time Purple goes through that portal. They build themself into this anger and let it crash down.

Purple stands straighter. Locks up their body and looks at King. Not in the eyes. They press their hand to their thigh. They'll be back soon, they say, and then Purple walks back through the portal.

King wants to chase after them and drag them back. Never let them go.

King watches and the world blares at them, bright sirens burning through their head.

The walls get new dents.

They text Purple. Text them again. Calls. Waits awhile. Calls Purple again.

They fall asleep, holding their phone. King wakes up and then panics, finding their phone and finding nothing new.

King waits. They're good at it now. Or at least better at it. Maybe if they had been better at waiting it wouldn't have come out this way.

King texts Purple.

They don't have their friends' numbers. King meant to get them. They'd ask Purple, and then Purple would forget, or King would forget to ask about it. They never manage to get written down. Maybe it wouldn't stress King out so much if they could call when they worried. If they knew where Purple was.

King waits two nights and then wakes in the middle of the third to the sound of the trapdoor. They rush to meet them, nerves far ahead of them.

Purple is there, standing solid and not meeting their eyes the way they did three days ago. King hugs them. Purple lets them. They return it. King feels it's different.

They pull away. Purple asks what they're going to do now. They tug at their own hands and waver. If it's really what King meant.

It's not. King swears on it. They explain. Purple listens. Evaluates.

Asks if King would do it again.

King looks at the wall. It's been painted over because King did everything they could to ignore it before. They patched up the drywall together, filling the holes from the knives and punches King's thrown at it. They look at the drawing of Gold they couldn't bear to paint over. Their knuckles ache.

They don't want to do it again. King doesn't know when they turned from a parent into whatever this is. They sit on the floor with Purple.

King promises that they won't, that they won't yell again, or let it get to here. They promise that they don't want to hurt Purple. They lean against them and ask if they mean it.

Of course they do. They want Purple to feel safe. They want it to get better. They want it to work. Purple asks if it will.

King wants to say yes, instinctually. They almost do, catching it just before. King thinks about it. If something will change after this. If King can claw their way out of this. King wants to.

What are they supposed to do now?

Notes:

summary:
purple still keeps some of their habits, like picking fights with others over little things. purple often stays out late because they're not used to having somewhere they quite need to be. wanted to be.

king frets over it and eventually yells at purple, making them shut down and end the conversation before leaving for a few days. king freaks out about it. when purple returns they ask if anything's going to be done about what happened. there's little definite resolution.

commentary:
first of all, i'm not one to write the stick figures with actual dialogue. i simply don't trust myself to portray their mannerisms correctly with words over actions since i have nothing to mimic. i prefer to leave it as interpretable as possible. i hope it comes across as meaningful.

the specific words don't matter for my stories. at the core my writing revolves around interpersonal tension and self reflection. the way a character interprets what another says, means, and does is far more important than the exact way it came out. internal intent and external expression are two separate things unfortunately, and that leads to a lot of issues.

secondly, i don't think this is how it'll turn out in the future of avm. i like my tension and i like my constant echoes of trauma in characters. i don't think any of the troubles king and purple have are going to appear like this. it's perhaps too sensitive of a reading. i'd actually like if they showed some semblance of my reading, since they've done such a great job at showcasing emotions so far. i don't expect it.

regardless, the issues the two have are not magically resolved. purple won't suddenly stop craving approval because they've identified the cause (nor because king can give it to them. the resolution to such a trouble must be found within one's own perception. others can help. they cannot fix it).

king will not be able to not fear losing someone again, even if purple wants to stay. i don't think the aggression we saw king display will resolve instantly either. the good parent down the street doesn't become willing to kill overnight, nor do they return to peace in a day.

i'm not sure that purple's picking fights on (un)conscious decision or if it's some innate urge for stick figures to do so. king assumes it's because they think they still need to prove something, but king doesn't know either.

the other trouble is that this is a biased view. being from only king's perspective means that we miss what purple might mean, or how things actually are. that's on purpose. king doesn't literally do nothing. king has hobbies and spends a good deal of time with purple. king ruminates, and the fears they have compound and clump together.

i think it's very possible that they could trigger each other's issues. purple seems to be willing to push others away (and letting someone in *now* does not make that forever). king seems willing to get rid of things in their way.

i don't think it would be intentional when they do it of course. it's accidental. it still happens. i left the resolution vague because this happens on the heels of episode 30, maybe a few months at most.

king isn't mentally ready to plan a path to healing or resolution at the moment. purple has no idea how to make one either. they both want it to work, which doesn't mean nothing.

i also wasn't sure what to write myself. i'm rather disillusioned by therapy as a band-aid fix at the end of a story. perhaps they'll seek it eventually. i don't think either of them have the will to go through feeling that confessional at the therapist's at the point i'm writing them.

also both king and purple have autism. that's not anything to do with the therapy part it's just important to know. i'm not sure i could write a neurotypical character... ever. it affects how they interact with each other and how they deal with their issues.

on an incredibly lighthearted note, i wanted to mention a phrase i used, "draw on their emotions." i was originally going to write "wear their heart on their sleeve" and then i realized i take the stick figures far too literally for that. i'm not convinced they have hearts nor sleeves for the metaphor to work.

in real life, drawing on emotions might imply someone is faking. i suspect it'd make more sense that "drawing" is to reveal one's self to the world for stick figures, say, make one's emotions especially clear.

now that i've written an entire essay, thanks for reading <3