Chapter Text
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Rafayel ˖°𓇼🌊⋆🐚 :
Rafayel isn't the type to be overtiy loud. He has more of a controlled expression, and that carries into intimacy. He'd keep his voice low: soft exhales, murmured words close to your ear. He gets louder when he's close, once he gets to that point, you'd hear it in brief, unguarded sounds. It's a sign his usual control has softened. He'd probably remember it afterward and tease you instead to cover it.
Xavier .𖥔 ݁ ˖ִ🛸༄˖°:
Louder than he looks, and he's not shy about it. Xavier is calm and gentle on the outside, but he's the least restrained when he's fully comfortable. He won't scream the paint off the walls, but he's openly vocal: groans, breathy laughs, soft sounds. Xavier mixes his sounds with teasing remarks and praise. He might go quiet and focused for a second, but then he'll let out an unguarded sound when he gets close. If you're quiet, he'll make small sounds to fill the air, if you're loud, he gets louder. He feeds off your reactions, and isn't embarrassed by it. Afterwards he'd be amused by how loud he got, but he's never embarrassed.
Sylus ˖⁺‧₊☽⋆｡°✩𓅨:
He'd express himself through low sounds: deep exhales, restrained groans, guttural growls, the kind you feel more than you hear. Close-range murmurs, low praise, or short, breathy words. If you manage to genuinely shake his control, you'd hear it in sharp, unfiltered sounds he doesn't bother to suppress. If you're vocal, it affects him. He'll get loud if you get loud.
Caleb ⋆｡ ‧˚ʚ🍎ɞ˚‧｡ ⋆:
Caleb isn't overly restrained about sound. He's the type to react in the moment without overthinking it: low laughs, breathy comments, and audible exhales that come naturally. He talks almost as much as he makes noise. He mixes soft moans with teasing remarks and warm praise, speaking in a familiar tone. Caleb is highly responsive: if you're quiet, he tones himself down but still fills the silence with soft sound. If you're vocal, he matches you and may even escalate, feeding off your pleasure.
Zayne ⋆꙳•❅*‧ ☃️‧*❆ :
Zayne is composed, restrained, and intensely self-controlled. He's more verbal than vocal. When sound does escape him, it's a soft groan or a sharp inhale he didn't plan on making. He gets louder only when he fully lets go, you'd hear a deeper, rougher version of his voice. It wouldn't be loud in a dramatic sense, but more open. Afterwards, he'd regain his composure quickly