we are but a smidgen in a sea of canvases
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You see, Kei has a plan. The plan is to graduate college, get stable employment, marry and then have kids. That was the initial plan.
What Kei did not take into account, was that pretty boys existed, and they could be absolutely, undeniably distracting. With pretty boys involved, it only takes about a millisecond to say 'fuck it, I'm gay' and trundle merrily onto the gayest route possible.
Oh well, at least it's rainbow-coloured.
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The night of September 19, Tobio receives a message at his doorstep. It comes in the form of a half-opened box, filled with notes and tapes of unfamiliar songs Tobio is yet to name. At the back of the loosely tied ribbon sits firmly a badly scribbled sentence.
It reads: The day before the Nationals, Tsukishima Kei died.
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This is not the story of how Yamaguchi Tadashi died.
This is the story of how he learned to live.
Or, Tadashi is part of the dying kids club and has nothing better to do in his life than to count how much he has left. Yuuji is a volatile teenager with too much trouble in his hands and a penchant for juvenile misdemeanours.
Their paths cross when Yuuji crashes his father's favourite car and ends up sentencing himself to three month's worth of volunteer work for a support group.
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"He looks at Tsukishima like he wants to commit the whole of him to memory. Because he is sure that with every passing day, he will feel more deeply. He is sure that with every inch of his yearning, he will love better than before.
Because in everything he does, Tetsurou is sure of Tsukishima Kei."
Or, Tetsurou saves a boy from a suicide attempt.
Thus begins a long-winded conversation of love.
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