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A message found taped beneath the table in the break room. It is written in a fast scrawl, most likely rushed. There seems to be blood and coffee stains on the paper.
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Basically radio station gothic, but its nightvale.
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135. You look back on your experiences over 135 lives, 134 deaths, and everything that happened in between.
OR:
A collection of not-really-poetry I wrote for the poetry unit in my English class, inspired by In Stars and Time.
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A few snippets of extra exposition on some scenes in the loops, plus some scenes I added. Now with Mitski lyrics in between!
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(Work title from the song Something Wild by Lindsey Stirling because it reminds me of everyone’s favorite thalassophobia sphere!)
Bart wasn’t alone.
He’d suspected it for months. He’d seen the giant ship when he’d surfaced after the huge earthquake a while ago, though it didn’t seem like there were any survivors at first. But then he saw things that were strange, out of place. It was inconspicuous at first. Wounds on some creatures that couldn’t have been made naturally, wounds that looked like they were made by a knife. Things like Stalker teeth or limestone outcrops disappearing from the location he’d seen them mere days before. At first he’d thought it was the last of his sanity slipping away.
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In another universe, Bart Torgal dies alone of the Kharaa. But in this one, he’s too damn stubborn to succumb. So what happens when he meets the lone survivor of another shipwreck?
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Their first night post-separation, John and Arthur stumble into town and try to recover from the freezing rain and the emotional crash that comes after everything.
Bookmarked by Jellyshoes_Fandomfolk
30 Jun 2025
Bookmarker's Notes
Delectable I hate them (I love them)
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Peter was skittish when it came to physical contact when they just started to see each other. As James it didn't bother him, their relationship had been mostly for satisfaction and Peter leaving quickly after their little moments together didn't particularly matter to him.
When he jumped to Elias however and they started to become something…more than just flings, it became obvious that Peter craved physical contact but that he was unable or simply too conditioned to accept it. As if the lonely would strike him dead the moment Elias held his hand or linked their arms together.
The most fascinating aspect of it was seeing it happen in real time, the way Peter would clearly shift and move as if to reach out but would shudder and retreat. It wasn't only about human touch, no, it was more than that. It was denying himself simple comforts, such as fabrics to run his fingers through, wearing clothes that didn't bring him any comfort.
It was all the small things that piled up and painted a picture about the sort of childhood he had and the issues Peter didn't want to really consider. -
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Summary
Floofty Fizzlebean has never been one for subtlety, and after the doomed expedition to Snaktooth is no exception. Years have passed since the time that transpired on that wretched place, and Lizbert's crew have made lives for themselves, messy as they are. After causing a scene at a high-profile event, Floofty is suspended from their academic livelihood until an old friend steps in to help, leading Floofty down a rabbit hole of paparazzi intrigue that reveals their salacious side in a most unlikely of forms. That is, until their recklessness attracts the wrong kind of attention.
Currently rated mature for some violent scenes and spicy moments, but that rating may change. Contains original characters but no OC/canon shipping.
Bookmarked by Jellyshoes_Fandomfolk
14 Jun 2025
Bookmarker's Notes
Ahhh, my first long fic I read in one night.
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Summary
Statement of an unnamed childhood bully regarding a fatal encounter with Mr. Spider. Statement procured by Elias Bouchard, head of the Magnus Institute, for the edification of one Jonathan Sims, the Archivist.
Series
- Part 1 of thresholds
Bookmarked by Jellyshoes_Fandomfolk
14 Jun 2025
Bookmarker's Notes
I made a post about this idea before I read this, and I couldn't have wished for it to be written any better.